Northwest Film Forum and The Sprocket Society, in association with Center For Visual Music, present this special series celebrating the history of Visual Music.

Over the past century, there have been a number of prescient artists who’ve approached cinema as a tool for merging visual art and music in order to create a new art form and explore uncharted areas of synaesthetic experience. Through a vibrant history of cinematic experiments, these pioneers have been inventing the concepts, aesthetics, techniques and technologies on which our modern image-and-sound culture is based.

VISUAL MUSIC is a rare opportunity to see restored film prints of work by such master animators as Oskar Fischinger, Mary Ellen Bute, Jordan Belson, Robert Breer and many others on the big screen. In addition, we’ll host a panel discussion on Seattle’s own history of visual music in the 1960s and early ’70s.

Curator: Peter Lucas

Special Thanks to: Center For Visual Music, Cindy Keefer, Cecile Starr, Spencer Sundell and Alex Bush.

This program is made possible by a grant from the National Endowment For The Arts.

Optical Poetry: Oskar Fischinger Retrospective - April 9, 2010Oskar Fischinger
Fri. April 9, 2010
Seeing Sound: The Films of Mary Ellen Bute - April 10, 2010Mary Ellen Bute
Sat. April 10, 2010
Jordan Belson, Films Sacred and Profane - April 11, 2010Jordan Belson
Sun. April 11, 2010
Seattle Psychedelics - April 13, 2010Seattle Psychedelics
Tues. April 13, 2010
Sixties Synaesthetics - April 14, 2010Sixties Short Films
Wed. April 14, 2010